SKU: 80926311654

One Control BJF Anodized Brown Distortion 4K

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Description

One Control BJF Anodized Brown Distortion 4KOur original Anodized Brown Distortion (ADB) pedal has been one of our most popular distortion pedals, and with several good reasons great dynamic tones, amp like response, and rugged anodized aluminum housing and construction for the rigors of the gig. The Anodized Brown is Bjrns effort to make a distortion pedal with all the dynamics and touch sensitivity of the great large tube amps at concert levels in a pedal that easily fits into your gigbag.

Our original Anodized Brown Distortion (ADB) pedal has been one of our most popular distortion pedals, and with several good reasons – great dynamic tones, amp-like response, and rugged anodized aluminum housing and construction for the rigors of the gig. The Anodized Brown is Björn’s effort to make a distortion pedal with all the dynamics and touch sensitivity of the great large tube amps at concert levels in a pedal that easily fits into your gigbag.


Björn said of the original ADB “A tight, fat low end. Free from any artificial treble buzz. A sufficiently solid and organic sound, long-lasting sustain that fades out in a natural way… the Anodized Brown captures all the elements that make up the classic distortion effect. A compact distortion pedal cannot possibly have all these seemingly impossible features. And yet, the Anodized Brown Distortion does it all. It is the pedal that made the impossible a reality.”

For this revamped ADB “4K” model (four knob), BJ took it back to the bench to deliver the original distortion circuit with an enhanced ability to dial this pedal into a wider variety of amplifiers. The added EQ and complementary circuit modifications give more control to have more of a “mastered” sound if needed. The user can dial in more midrange emphasis or scoop these frequencies to allow setting lower gain sounds with more authority and edge. Get your own “brown sound” with the new One Control Anodized Brown Sound 4K!


Input impedance:94K
Output impedance:5K
S/N:-70dBm
Power:6-18V center negative 2.1mm barrel type or 9V battery
Current Draw;4mA @9V
Size:47Wx100Dx48H mm
Weight:160g

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SKU: 80926311654

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4.3 ★★★★★
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Verified Purchase
Wilbur F. Pierce
San Leandro, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Chelsea, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
J
Jordan Bell
Belleville, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
Lexington, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Phoenix, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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