SKU: 27286842655

Jackson X Series Concert Bass CBXNT DX V, Black

Sale price$192.57 Regular price$213.97
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Description

Jackson X Series Concert Bass CBXNT DX V, BlackThe Jackson X Series Concert Bass CBXNT DX V delivers low end authority built for modern aggression. Designed to meet the demands of high output playing styles, this five string bass combines fast feel, tonal flexibility, and hard hitting constructiontraits that have defined Jacksons X Series approach. Its 34 inch scale length and neck through body design set the stage for extended sustain and rock solid stability. A poplar body and a maple neck

The Jackson X Series Concert Bass CBXNT DX V delivers low-end authority built for modern aggression. Designed to meet the demands of high-output playing styles, this five-string bass combines fast feel, tonal flexibility, and hard-hitting construction—traits that have defined Jackson’s X Series approach.

Its 34-inch scale length and neck-through-body design set the stage for extended sustain and rock-solid stability. A poplar body and a maple neck reinforced with graphite rods ensure strength under tension, while the scarf joint supports comfortable access to all 24 jumbo frets. The bound laurel fingerboard features a 12"–16" compound radius, tapering from round to flat for effortless transitions between rhythm anchoring and upper-register runs.

A Jackson P-style neck pickup and J-style bridge pickup form the foundation of its voice, enhanced by an active 3-band EQ system capable of sweeping tonal shifts. Whether adding bite to mids, scooping lows, or boosting presence for slap articulation, the electronics respond dynamically to touch. The Jackson Bass Bacher V hardtail bridge contributes to tight note definition and a strong initial attack, while sealed die-cast tuners help maintain tuning integrity during heavy sessions.

The CBXNT DX V stands out visually with aggressive accents, chrome hardware, and distinct finishes like Gloss Black or Snow White. A bound body, pearloid sharkfin inlays, and the iconic Jackson 5-in-line headstock complete a look as commanding as its tone.

  • 34" scale length five-string bass design
  • Neck-through-body maple neck with graphite reinforcement
  • Poplar body paired with bound laurel fingerboard
  • 12"-16" compound radius and 24 jumbo frets
  • Jackson P- and J-style pickups with active 3-band EQ
  • Bass Bacher V hardtail bridge enhances sustain and attack
  • Sealed die-cast tuners ensure tuning stability
  • Available in Gloss Black or Snow White finishes
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SKU: 27286842655

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Verified Purchase
Wilbur F. Pierce
Grantham, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Bozeman, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
J
Jordan Bell
Carnegie, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
S
Steve Lookner
Battle Creek, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Lake Worth, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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